NUIT SYNTHÉTIQUE

User-created

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Depuis l’antiquité, dans le bassin méditerranéen, notre tradition picturale associe l’absence de couleur au blanc. Cette absence de couleur est matérialisée par la feuille de papier blanche, ou en peinture, par une couche de préparation blanche. La tradition artistique associe cette couleur à une œuvre vierge de tout geste artistique, ou même de toute écriture. Dans le tableau, l’éclairage est omniprésent. Celui qui éclaire la peinture des paysages nocturnes est déjà le fruit d’une longue histoire. Les peintures de Nuit Synthétique: https://aurelien-vret.fr/work/AUV_book_nuit-synthetique.pdf Tableaux de Nuit Synthétique géolocalisés sur Google Maps: https://www.google.com/maps/d/viewer?mid=1J8003kXNKO_FLYqyB1Tco3cEOE4&hl=en_US&ll=38.046286039546274%2C-27.71798304999993&z=3

Montmartre in the rain, Pierre Bonnard, 1897, From the collection of: Van Gogh Museum

Northern Sea in the Moonlight, Caspar David Friedrich, 1823/1824, From the collection of: National Gallery Prague

The Martyrdom of Saint Lawrence, Hipólito de Rioja, 1000, From the collection of: Museo Nacional de Arte

Studio Wall, Adolph Menzel, 1852, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

The Forge, Francisco de Goya y Lucientes, Around 1815-1820, From the collection of: The Frick Collection

Le Chahut, Georges Seurat, 1889/1890, From the collection of: Kröller-Müller Museum

The Battle of the Nile, Phillip James De Loutherbourg, 1800, From the collection of: Tate Britain

All night long, Michael Andrews, 1963-1964, From the collection of: National Gallery of Victoria

Evening (after Millet), Vincent van Gogh, October 1889 - 1889, From the collection of: Van Gogh Museum

Glass-blowers 'Gathering' from the Furnace, Peake, Mervyn, 1943, From the collection of: Imperial War Museums

View of Dresden by Moonlight, Johan Christian Dahl, 1839, From the collection of: New Masters Gallery, Dresden State Art Collections

Portrait of Salvador Novo [The Taxi], Manuel Rodríguez Lozano, 1924, From the collection of: Museo Nacional de Arte

Burg Scharfenberg at Night, Ernst Ferdinand Oehme, 1827, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

Opera, Ricard Urgell, 1922, From the collection of: Museu Nacional d'Art de Catalunya - MNAC, Barcelona

The rescue, John Everett Millais, 1855, From the collection of: National Gallery of Victoria

Woman at the Champs-Élysées by night, Louis Anquetin, 1889/1893, From the collection of: Van Gogh Museum

Interior of a Foundry, Léonard Defrance, 1789, From the collection of: Walker Art Gallery, Liverpool

Le verre de porto (A Dinner Table at Night), John Singer Sargent, 1884, From the collection of: de Young museum

Martyrdom of St Lawrence, Jusepe de Ribera, (1620-1624), From the collection of: National Gallery of Victoria

Asesinato de Maza, Prilidiano PUEYRREDON, 1840-1870, From the collection of: Museo Nacional de Bellas Artes de Argentina

Women of Paris: The Circus Lover, James Jacques Joseph Tissot, 1885, From the collection of: Museum of Fine Arts, Boston

Windsor Castle from Datchet Lane on a rejoicing night, 1768, Paul Sandby, From the collection of: Royal Collection Trust, UK

Two on the Aisle, Edward Hopper, 1927, From the collection of: The Toledo Museum of Art

The Annual Girandola at the Castel Sant’Angelo, Rome, Joseph Wright (of Derby), 1775/1776, From the collection of: Walker Art Gallery, Liverpool

The Call for Help, Frederic Remington, c. 1908, From the collection of: The Museum of Fine Arts, Houston

Christ Carried Down to the Tomb, Eugène Delacroix, 1859, From the collection of: The National Museum of Western Art, Tokyo

Nocturne in Blue and Silver: The Lagoon, Venice, James Abbott McNeill Whistler, 1879 - 1880, From the collection of: Museum of Fine Arts, Boston

The potato eaters, Vincent van Gogh, April 1885 - May 1885, From the collection of: Van Gogh Museum

Motel, Kong, Sung Hun, 2007, From the collection of: Korean Art Museum Association

View on Overschie in Moonlight, Johan Barthold Jongkind, 1872, From the collection of: Museum Boijmans Van Beuningen

Cottage on Fire at Night, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), between 1785 and 1793, From the collection of: Yale Center for British Art

The Iron Rolling Mill (Modern Cyclopes), Adolph Menzel, 1872 - 1875, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

Mucius Scaevola in the presence of Lars Porsenna, Matthias Stomer, early 1640s, From the collection of: Art Gallery of New South Wales

Annunciation, Matthias Stomer, XVII Century (beginning), From the collection of: Uffizi Gallery

The Executioner with the Head of John the Baptist, William Dobson, About 1640 - 1643, From the collection of: Walker Art Gallery, Liverpool

Cupid and Psyche, Giuseppe Maria Crespi Crespi, 1707 - 1709, From the collection of: Uffizi Gallery

Fishermen at Sea, Joesph Mallord William Turner, 1801, From the collection of: Tate Britain

Limekiln at Coalbrookdale, Joseph Mallord William Turner, 1775–1851, British, ca. 1797, From the collection of: Yale Center for British Art

The Heroism of Caius Mucius Scaevola, Eberhart Keilhau, alias Monsú Bernardo, 1624 - 1687, From the collection of: Fundación Banco Santander

Not at Home, Eastman Johnson, ca. 1873, From the collection of: Brooklyn Museum

The Money Diggers, John Quidor, 1832, From the collection of: Brooklyn Museum

Landscape with the Destruction of Sodom and Gomorrah, Joachim Patinir, circa 1520, From the collection of: Museum Boijmans Van Beuningen

Friends, Hanna Pauli, 1900/1907, From the collection of: Nationalmuseum Sweden

Woman Reading by a Paper-Bell Shade, Henry Robert Morland, 1730–1797, British, 1766, From the collection of: Yale Center for British Art

In the Anchor-Forge at Söderfors. The Smiths Hard at Work, Pehr Hilleström d.ä., 1782, From the collection of: Nationalmuseum Sweden

Riddarfjärden, Stockholm, Eugène Jansson, 1898, From the collection of: Nationalmuseum Sweden

The Ten Cent Breakfast, Willard Leroy Metcalf, 1887, From the collection of: Denver Art Museum

Herne's Oak from 'The Merry Wives of Windsor,' V, v, George Cruikshank, 1792–1878, British, ca. 1857, From the collection of: Yale Center for British Art

Building Mosquitoes, Armstrong, John (ARA), 1943, From the collection of: Imperial War Museums

The Théâtre du Gymnase, Adolph Menzel, 1856, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

Astronomer by Candlelight, Gerrit Dou, late 1650s, From the collection of: The J. Paul Getty Museum

Vesuvius from Posillipo, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), ca. 1788, From the collection of: Yale Center for British Art

David Garrick and George Anne Bellamy in "Romeo and Juliet", Act V, Scene iii, Benjamin Wilson, 1721–1788, British, 1753, From the collection of: Yale Center for British Art

Goyang Flower City, Kong, Sung Hun, 2008, From the collection of: Korean Art Museum Association

The Great Fire of London, with Ludgate and Old St. Paul's, Unknown artist, seventeenth century, ca. 1670, From the collection of: Yale Center for British Art

Ruby Loftus screwing a Breech-ring, Knight, Laura (Dame) (RA), 1943, From the collection of: Imperial War Museums

Holy Family with St John the Baptist, Luca Cambiaso, circa 1578, From the collection of: Art Gallery of New South Wales

Nighthawks, Edward Hopper (American, 1882-1967), 1942, From the collection of: The Art Institute of Chicago

The Seven Ages of Man: The Lover, 'As You Like It,' II, vii, Robert Smirke, 1752–1845, British, between 1798 and 1801, From the collection of: Yale Center for British Art

The Last Statement, Arthur Kampf, 1886, From the collection of: Kunstpalast

Panneaux pour la baraque de la Goulue, à la Foire du Trône à Paris, Henri de Toulouse-Lautrec, 1895, From the collection of: Musée d’Orsay, Paris

Interior of an ironworks, Godfrey Sykes, 1824–1866, British, 1850, From the collection of: Yale Center for British Art

Starry Night, Vincent van Gogh, 1888, From the collection of: Musée d’Orsay, Paris

A Village on Fire, Flemish or Dutch, 17th century, From the collection of: Dulwich Picture Gallery

Feast Scene, Giovanni Boldini, circa 1889, From the collection of: Musée d’Orsay, Paris

A Night Walk in the Park, Kong, Sung Hun, 2008, From the collection of: Korean Art Museum Association

A Smoking Party, Wilhelm Bendz, 1827/1828, From the collection of: Ny Carlsberg Glyptotek

The Great Fire of London, Philippe-Jacques de Loutherbourg, 1740–1812, French, active in Britain (from 1771), ca. 1797, From the collection of: Yale Center for British Art

The Dance Hall in Arles, Vincent van Gogh, 1888, From the collection of: Musée d’Orsay, Paris

Interior, Hilaire-Germain-Edgar Degas, French, 1834 - 1917, 1868 or 1869, From the collection of: Philadelphia Museum of Art

The Life of Buckingham, Augustus Leopold Egg, 1816–1863, British, undated, exhibited 1855, From the collection of: Yale Center for British Art

The Poker Game, Félix Vallotton, 1902, From the collection of: Musée d’Orsay, Paris

The Burning of the Houses of Parliament, Formerly Joseph Mallord William Turner, 1775–1851, British, unknown artist, nineteenth century, ca. 1834, From the collection of: Yale Center for British Art

Old Woman with a Basket of Coal, Peter Paul Rubens, ca. 1616 - 1618, From the collection of: Old Masters Picture Gallery, Dresden State Art Museums

A Seascape, Shipping by Moonlight, Claude Monet, About 1864, From the collection of: National Galleries Scotland: National

Flute Concert with Frederick the Great in Sanssouci, Adolph Menzel, 1850 - 1852, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

Academy by Lamplight, Joseph Wright of Derby, 1734–1797, British, active in Italy (1773–75), 1769, From the collection of: Yale Center for British Art

Staffa, Fingal's Cave, Joseph Mallord William Turner, 1775–1851, British, 1831 to 1832, From the collection of: Yale Center for British Art

James Watt and the Steam Engine: the Dawn of the Nineteenth Century, James Eckford Lauder, 1855, From the collection of: National Galleries Scotland: National

The Symposium (Second Version), Anselm Feuerbach, 1871 - 1873/74, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

Shipbuilding on the Clyde: Burners, Spencer, Stanley (Sir) (RA), 1940, From the collection of: Imperial War Museums

Nocturne in Blue and Silver, James McNeill Whistler, 1834–1903, American, active in Britain (from 1859), 1872 to 1878, butterfly added ca. 1885, From the collection of: Yale Center for British Art

Aurora Borealis, Frederic Edwin Church, 1865, From the collection of: Smithsonian American Art Museum

The Death of Sardanapalus, Ferdinand-Victor-Eugène Delacroix, French, 1798 - 1863, 1844, From the collection of: Philadelphia Museum of Art

Evening Street, Jakub Schikaneder, 1906, From the collection of: National Gallery Prague

Interior, Dutch, Before 1686, From the collection of: Dulwich Picture Gallery

At the Moulin Rouge, Henri de Toulouse-Lautrec (French, 1864-1901), 1892/95, From the collection of: The Art Institute of Chicago

Burning Oil Well at Night, near Rouseville, Pennsylvania, James Hamilton, ca. 1861, From the collection of: Smithsonian American Art Museum

A Mountain Chieftain's Funeral, Francis Danby, 1793–1861, Irish, ca. 1848, From the collection of: Yale Center for British Art

Ceres at the Cottage, Schalcken, GodfriedElsheimer, Adam, Second half of the 17th century, From the collection of: Dulwich Picture Gallery

River Scene, Sebastian Pether, 1790–1844, British, 1840, From the collection of: Yale Center for British Art

At the Moulin Rouge: The Dance, Henri de Toulouse-Lautrec, French, 1864 - 1901, 1890, From the collection of: Philadelphia Museum of Art

Belshazzar's Feast, John Martin, 1789–1854, British, 1820, From the collection of: Yale Center for British Art

Incendiaries in a Suburb, 1941, Carr, Henry (RA), 1941, From the collection of: Imperial War Museums

The Burning of the Houses of Lords and Commons, October 16, 1834, Joseph Mallord William Turner, English, 1775 - 1851, 1834-1835, From the collection of: Philadelphia Museum of Art

Ship on Fire at Night, Charles Brooking, 1723–1759, British, ca. 1756, From the collection of: Yale Center for British Art

The Dinner at the Ball, Adolph Menzel, 1878, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

The Reading Room, Johann Peter Hasenclever, 1843, From the collection of: Alte Nationalgalerie, Staatliche Museen zu Berlin

The Last Drop (The Gay Cavalier), Judith Leyster, Dutch (active Haarlem and Amsterdam), 1609 - 1660, c. 1639, From the collection of: Philadelphia Museum of Art

Sir Ernest Gowers, KCB, KBE, Senior Regional Commissioner for London, Lt Col A J Child, OBE, MC, Director of Operations and Intelligence, and K A L Parker, Deputy Chief Administrative Officer, in the London Regional Civil Defence Control Room 1943, Frampton, Meredith (RA), 1943, From the collection of: Imperial War Museums

Estação da Luz, Luiz Gualberto, decade of 1930, From the collection of: Pinacoteca de São Paulo

The Merchant Navy: The chain-locker, Carr, Henry (RA), 1942, From the collection of: Imperial War Museums

Praça Ramos de Azevedo, Adolpho Fonzari, second half of the 20th century, From the collection of: Pinacoteca de São Paulo

Masked Ball at the Opera, Edouard MANET, 1873, From the collection of: Artizon Museum, Ishibashi Foundation

Estudo para "Passagem de Humaitá", Victor Meirelles, 1886, From the collection of: Pinacoteca de São Paulo

The end of a dream, Giuseppe Pennasilico, circa 1908, From the collection of: Art Gallery of New South Wales

The Magdalen with the Smoking Flame, circa, From the collection of: Los Angeles County Museum of Art

The Passage to the Control-room at South West Regional Headquarters, Bristol, Piper, John (CH), 1940, From the collection of: Imperial War Museums

Crematory2, Kong, Sung Hun, 2006, From the collection of: Korean Art Museum Association

WRNS Ratings Sail-making: On Board 'HMS Essex' at Devonport, 1918, Forbes, Stanhope (RA), 1918, From the collection of: Imperial War Museums

A Dog, Kong, Sung Hun, 2008, From the collection of: Korean Art Museum Association

Nocturne: Blue and Silver--Bognor, Artist: James McNeill Whistler, 1871-1876, From the collection of: Smithsonian's National Museum of Asian Art

Nocturne: Blue and Silver--Battersea Reach, Artist: James McNeill Whistler, 1870-1875, From the collection of: Smithsonian's National Museum of Asian Art

A Miner at Work, Moore, Henry (CH) (OM), 1942, From the collection of: Imperial War Museums

The Blue House, The National Assembly Building and Lotus Flowers, Kong, Sung Hun, 2008, From the collection of: Korean Art Museum Association

Crematory1, Kong, Sung Hun, 2006, From the collection of: Korean Art Museum Association

Recruit's Progress: Medical Inspection, Weight, Carel Victor Morlais (CBE, RA), 1942, From the collection of: Imperial War Museums

St. Dominic and the Devil, Pietro della Vecchia, about 1630, From the collection of: Indianapolis Museum of Art at Newfields

Sports Grounds, Kong, Sung Hun, 2007, From the collection of: Korean Art Museum Association

Motel, Kong, Sung Hun, 2007, From the collection of: Korean Art Museum Association

Nocturne: Black and Red - Back Canal, Holland, Artist: James McNeill Whistler, 1883 or 1884, From the collection of: Smithsonian's National Museum of Asian Art

The Road to the Outskirts, Kong, Sung Hun, 2007, From the collection of: Korean Art Museum Association

The potato eaters, Vincent van Gogh, 1885, From the collection of: Kröller-Müller Museum

A Man Feeding a Dog, Kong, Sung Hun, 2008, From the collection of: Korean Art Museum Association

Nocturne in Blue and Gold: Valparaiso, Artist: James McNeill Whistler, 1866/ ca. 1874, From the collection of: Smithsonian's National Museum of Asian Art

The Royal Double Bethrothals, Salomon Koninck, c. 1642, From the collection of: Skokloster Castle

Hotel Lobby, Hopper, Edward, 1943, From the collection of: Indianapolis Museum of Art at Newfields

Scene from the Quaternary upper Paleolithic Period, José María Velasco, 1000, From the collection of: Museo Nacional de Arte

Credits: All media

This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

The J. Paul Getty Museum

Old Masters Picture Gallery, Dresden State Art Museums

Pinacoteca de São Paulo

Kunstpalast

Imperial War Museums

The Museum of Fine Arts, Houston

Royal Collection Trust, UK

Indianapolis Museum of Art at Newfields

Kröller-Müller Museum

Dulwich Picture Gallery

Yale Center for British Art

New Masters Gallery, Dresden State Art Collections