Kwanzaa is a non-religious, African-American holiday symbolizing the need for a harmonious and principled togetherness in the family, the neighborhood, the nation, and the world.
A nonreligious holiday, Kwanzaa takes place over seven days from December 26 to January 1.
The holiday draws on African traditions and takes its name from the phrase for "first fruits" in Swahili, a widely spoken African language.
Digital Kwanzaa Coloring Book
Many of the buttons and stamps in this story are available for you to color in your own expressive style in this Kwanzaa Art Coloring Book, a collaboration between the Smithsonian and Google Arts and Culture.
Kwanzaa is a time for families and communities to take time to remember the past and to celebrate African American culture. On this U.S. postage stamp, a family comes together to light the Kinara.
Kinara is a Swahili word that means candle holder. The seven candles represent the Seven Principles (or Nguzo Saba) of Kwanzaa.
During this week long holiday, we learn about the Seven Principles of Kwanzaa that help us to continue building and maintaining unified and empowered communities.
The seven guiding principles that Kwanzaa celebrates are Umoja (unity), Kujichagulia (self-determination), Ujima (collective responsibility), Ujamaa (Cooperation), Nia (purpose), Kuumba (creativity) and Imani (faith).
As noted on this Smithsonian flyer from the 1980s, Kwanzaa was developed by Dr. Maulana Ron Karenga, in the United States. He adapted the principles of African harvest festivals to create a uniquely American celebration.
He emphasized that the principles found in producing the harvest are vital to the building and maintenance of strong and wholesome communities.
Kwanzaa is that time when we reflect on our use of the principles, share and enjoy the fruits of our labor, and recommit ourselves to the collective achievement of a better life for family and community.
In 1967, only one year after Dr. Karenga formulated the Kwanzaa celebration, the Smithsonian opened the Anacostia Neighborhood Museum (now the Anacostia Community Museum) in the former Carver Theater on Martin Luther King Jr. Ave in Washington, DC.
Very soon after opening, the Smithsonian began holding annual Kwanzaa celebrations for the local community.
Since it's origins in the 60s, Kwanzaa has become an integral part of American culture. On October 22, 1997, the Postal Service issued its first Kwanzaa stamp, in Los Angeles, California. It is the second issue in the Holiday Celebrations Series that was begun in 1996 to reflect a different cultural or ethnic holiday each year.
On October 26, 2007, in New York, New York, the Postal Service issued a 41-cent Kwanzaa stamp designed by Derry Noyes of Washington, DC. The stamp design was previously issued with a 37-cent denomination in 2004 and with a 39-cent denomination in 2006.
On October 9, 2009, in New York, New York, at the Mega Stamp Show, the Postal Service issued a 44-cent Kwanzaa stamp in a pressure-sensitive adhesive pane of twenty. This was the third stamp design issued by the U.S. Postal Service in celebration of Kwanzaa.
The Post Office continues to issue new Kwanzaa stamps, reminding us to reflect on our use of the basic principles, share and enjoy the fruits of our labor, and recommit ourselves to the collective achievement of a better life for our family, our community, and our people.
What happened when LIFE Magazine photographer Ralph Crane had a close encounter with an extraterrestrial convention?
In 1947, alien enthusiast George Van Tassel moved to the Mojave Desert of California, USA, to live in a subterranean home under a giant boulder. There, he set up a a restaurant, airstrip, and extra-terrestrial research center, nicknamed 'the Integratron'.
The giant rock, named Giant Rock, was reputedly a sacred site for local Native Americans, and was previously the home of another eccentric, Frank Critzer. It was the perfect place for Van Tassel to gather fellow space-travellers to reveal the secrets of the universe…
One night in 1952, Van Tassel was supposedly woken by alien from the planet Venus, and invited on board a space ship. He was then telepathically given a technique for rejuvenating the human body. He decided to spread this secret knowledge.
From 1953 to his death in 1978, Van Tassel held the annual Giant Rock Spacecraft Convention, which became the must-visit event for international travellers seeking something beyond our world. In 1957, the renowned photographer Ralph Crane visited the convention for LIFE magazine.
By 1953, the world had plunged into the Cold War. The development of atomic weapons meant that the next war would be one of total annihilation. In this feverish atmosphere, people from all walks of life were ready to believe anything.
Crane captured the 1957 event with the keen eye of a reportage photographer. His images show the variety of devoted attendees, representing the breadth of society, that travelled to this desert gathering seeking out hope in the stars.
At its height in the late 1950s, the convention attracted over 10,000 visitors. For anyone who attended, there was overwhelming evidence of extraterrestrial life in the form of photographs, written testimony, rumours, and secret documents…
Famous contactees and UFO witnesses gave lectures on their experiences. Some even came equipped for a close encounter…
For others, it was a social event that reinforced the bonds in the burgeoning, loose community. They found comfort in sharing space with others who had similar thoughts and experiences.
Like any convention, a devoted audience offered a great opportunity to sell merchandise. Pamphlets, songs, pin badges, and t shirts were all available. Purchasing these would allow people to literally 'buy into' the community.
In the end, the contactees, ufologists, seekers, and believers may not have found aliens or the secret to rejuvenation, but in the middle of the desert, under the night sky, in a warring world, they did find each other.
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