Attire of Royal Court Women

Royal ladies of the Joseon dynasty wore garments and personal ornaments that symbolized their rank in the royal court. The court dresses, such as Pheasant-Patterned Ceremonial Robe(jeogui) worn by queens and princesses for formal occasions include robes decorated with symbolic creatures, and lavishly decorated pouches and items of jewelry that only the court ladies were permitted to wear. 

Ceremonial Pheasant Robe of the Consort of Imperial Prince Yeong (Early 20th century)National Palace Museum of Korea

Queen’s Pheasant-Patterned Ceremonial Robe

Strict rules applied to the queen’s ceremonial robes, shoes, hats, and hair ornaments; the vestments depended on the character of the occasion.                      The pheasant-patterned ceremonial robe 'Jeokui(翟衣)' was the queen’s official clothing worn during the most important ceremonies, such as the queen’s investiture 'Chaekbiui(冊妃儀)', entrance to the palace 'Chinyeonui(親迎儀)', and the consummation ritual 'Dongroeyeon(同牢宴)' of the wedding ceremony.

The decorations on the pheasant-patterned ceremonial robe were naturally full of symbolic meaning. The pheasant symbolized love and a long life together in marriage, and were embroidered in five colors of blue, white, red, black, and yellow, each color symbolizing benevolence, righteousness, propriety, wisdom, and trust. These were the virtues that the queen was expected to embody.

Round patches with five-clawed dragon designs Ojoryong(五爪龍) embroidered with gold thread were also attached on the breast, back, and both shoulders. The pheasant-patterned robe, originally made of red silk, was worn by the queen and crown princess until the end of the dynasty, and changed
into blue after the king and queen were elevated to the status of emperor and empress in 1897.

Damask on Tabby Inner Robe of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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When putting on the pheasant robe, an inner robe Jungdan(中單) was worn underneath,

Belt and Rear Drapery of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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and was decorated with a belt Daedae(大帶), a rear drapery Su(綬),

Apron of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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an apron covering the knees Pyeseul(蔽膝), a jade belt Okdae(玉帶), and jade girdle ornaments on both sides Paeok(佩玉).

Blue Shoes of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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The queen then wore blue socks Cheongmal(靑襪) and blue shoes Cheongseok(靑舃).

Red Ceremonial Robe of the Consort of Imperial Prince Yeong (Early 20th century)National Palace Museum of Korea

Wonsam(圓衫)

'Wonsam(圓衫)' was a ceremonial robe worn by the queen dowager, royal concubines, and members of the inner court, which had a shorter front than back and wide sleeves with open sides. The color and shape of the robe differed according to the position of the wearer: yellow for the empress, red for the queen, purple for the crown princess, and green for the princess. 

Two Sections of Long Jacket of the Consort of Imperial Prince Yeong (Early 20th century)National Palace Museum of Korea

Dangui(唐衣)

Court ceremonial jackets 'Dangui(唐衣)' were worn for minor ceremonies in the palace 'Soryebok(小禮服)', and the women of the literati class 'Banga(班家)' wore these as ceremonial garments. They were layered on top of the traditional Korean jacket 'Jeogori', and were named according to their color: 'Yeondu Dangui' for green, 'Jaju Dangui' for plum, 'Namsong Dangui' for azure, and 'Baeksaek Dangui' for white. 

Two Sections of Long Jacket of the Consort of Imperial Prince Yeong with Peach, Pomegranate, and Fingered Citron Patterns in Gold, Early 20th century, From the collection of: National Palace Museum of Korea
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Ceremonial Long Jacket of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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They were double- or single-layered depending on the season, and gold patterns were imprinted on them for decoration

Large Wig(Daesu)_Copy (2016)National Palace Museum of Korea

Hair Ornaments

Hair ornaments included hairpins, quivering pins, and back pins. Their name differed according to their material or shape: jade pin (Bichwijam), coral hairpin (Sanhojam), pearl hairpin (Jinjujam), phoenix hairpin (Bong jam), dragon hairpin (Yong jam), plum and bamboo hairpin(Maejukjam), bamboo hairpin (Jukjam), bamboo piece hairpin (Jukjeoljam), flower petal hairpin (Hwayeopjam), orchid hairpin (Garanjam), magnolia hairpin (Mokryeonjam), walnut hairpin (Hodojam, 胡桃簪), large phoenix hairpin (Deabongjam), pomegranate hairpin (Seokryujam), and stake hairpin (Malttukjam), among others. Hairpin materials included silver, gold-plating, nickel, brass, jade, coral, pearl, wood, bone, and glass. 

Jade Hairpins with Phoenix Decorations of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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White Jade Hairpin of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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White Jade Hairpin with Butterfly Quivering Ornament of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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White Jade Hairpin with Quivering Flower Ornament of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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White Jade Hairpin with Quivering Ornament of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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White Jade Hairpin of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Jade Hairpin with Walnut-shaped Decoration of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Coral Bellflower Hairpin of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Pendant with Triple Ornaments of Cloudy Amber, Coral, and Malachite, owned by the Consort of Imperial Prince Yeong (Early 20th century)National Palace Museum of Korea

Pendants

Pendants called 'Norigae' are traditional decorations hung on the waistband of the skirt to be shown below the jacket. Originally, these were restricted to queens, royal concubines, princesses, wives of princes, and the literati. Chief ladies-in-waiting could also wear them on their ceremonial robes during national events such as the royal wedding. Ladies-in-waiting wore them only once, on the day of their “Coming of Age Ceremony.” In late Joseon, their use expanded to not only the upper class but also to commoners, who wore them at important family festivities. 

White Jade Butterfly Pendants of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Coral Pendant of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Consort of Imperial Prince Yeong’s Pendent with Three Ornaments and Agate Pouch, Early 20th century, From the collection of: National Palace Museum of Korea
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Embroidered Twin Perfume Pouch Pendant of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Triple Pendants, Early 20th Century, From the collection of: National Palace Museum of Korea
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Imperial Prince Yeong’s Perfume Pouch with Embroidered Peach, Pomegranate, and Fingered Citron Design (Early 20th century)National Palace Museum of Korea

Pouches

Pouches were worn by men and women of all ages to hold items inside their clothing. Although small, they were carefully made and considered precious wedding gifts of the royal family. Pouches were also granted as presents to the royal kindred and ministers on the first pig day(Haeil, 亥日) and mouse day(Jail, 子日) of the New Year.  Purses had either angular or round corners depending on their shape, and were either stamped or embroidered with gold. The outer fabric was usually red, blue, plum, azure, or green silk embroidered with the ten symbols of longevity, a basket with five blessing flowers, or the Chinese characters “Subok(壽福)” (long life and blessings). All kinds of gold and silver crafts were also adhered. They were produced collaboratively among several separate specialty rooms within the palace. The sewing room sewed the pouches, which were then handed off to the embroidery room for the embroidery of patterns, and finally completed at the knotting room where artisans added the strings and knots.

Embroidered Perfume Pouch of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Embroidered Stringed Purse of Yi Gu, Early 20th century, From the collection of: National Palace Museum of Korea
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Round Stringed Purse Embroidered with Twin Dragons of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Embroidered Medicine Pouch of Yi Jin with Ten Longevity Symbols, Early 20th century, From the collection of: National Palace Museum of Korea
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Ink Brush Pouch with Embroidered Auspicious Patterns, Early 20th century, From the collection of: National Palace Museum of Korea
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Embroidered Pouch for Spoon and Chopsticks with Two Cranes, Early 20th century, From the collection of: National Palace Museum of Korea
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Embroidered Stringed Purse of Imperial Prince Yi Jin, Son of the Consort of Imperial Prince Yeong, Early 20th century, From the collection of: National Palace Museum of Korea
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Credits: Story

NATIONAL PALACE MUSEUM OF KOREA

Yoon-hee Park

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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