Explore a growing collection of Native arts and cultures from across the Americas
We wish to acknowledge the Traditional Owners of the land and the diverse nature of Indigenous communities across the Americas. We pay respect to the Elders, past, present and future, and celebrate their stories, culture and traditions.
So many Indigenous technologies have informed, inspired, or anticipated modern-day design and technology innovations – like the kayak, snow goggles, fur parka, and so much more. Read Part 1 and 2 of a new story by Alaska's Anchorage Museum.
See contemporary Indigenous art
Artists have ways of shedding light onto histories and truths that leave lasting impressions. From forced relocation to the generational traumas of residential schools to internal strength and self-awareness, Indigenous contemporary artists add to our understanding of such histories, truths, and lived experiences.
Celebrate Indigenous women in music
Contemporary Indigenous women singer-songwriters’ voices carry the traditions of their ancestors forward to the present moment, and project Indigenous voices into the future. Take a look back at legends to up-and-coming artists with a new story by The Kennedy Center.
Discover new photography from the Lenape Center
New York's only remaining Lenape group, is sharing a photographic story about the return home of ancestral seeds to Lenapehoking. This series by Devin Pickering, taken over a period of five months, was also mounted at the Perelman Performing Arts Center.
Meet the women from the Kayapó tribe
Kayapó women are known in Brazil as Warrior Women, fighting for justice for their land and people. Explore more of the life, work, and intricate artisan work by the women of the Kayapó people.
Honor successes in self-governance
Throughout the 21st century, Indian Country has been a part of a renaissance of governmental successes. From health care and community development, to agriculture and education, nations are (re)building their communities.
"I think I’m a miracle and I say that whenever I talk to an audience. I tell them: 'I'm a miracle, and any Native person here is a miracle.'"Jaune Quick-to-See-Smith
Wendy Red Star confronts both historical and ongoing romanticized representations of her cultural heritage through her art. Star is known for producing surreal, vividly colorful art laced with biting humor, playfulness, and irony.
Harrison Begay (1946-1978; Diné)
Harrison Begay, also known as Haashké yah Níyá, was a celebrated artist for his prints and watercolors of peaceful scenes of Navajo life and culture.
T.C. Cannon (1946-1978; Kiowa/Caddo)
T.C. Cannon's art is anything but quiet–embodying the activism, cultural transition, and creative expression that defined America in the 1960s and 1970s. Through bold colors and mashups of Native and non-Native elements, Cannon interrogated American history and popular culture.
Lloyd Henri Kiva New (1916-2002; Cherokee)
Considered the patriarch of Indigenous fashion, Lloyd Henri Kiva New evolved from a fashion designer to a powerful influence, driving generations of artists to turn their visions into sustainable careers.
Pablita Velarde (1918-2006; Pueblo)
Pablita Velarde, born Tse Tsan, was an artist and painter known for her earth paintings that incorporated mineral and rock elements. She created over 70 paintings of Pueblo culture using memories from her early upbringing in Santa Clara Pueblo.
Kayaking and kayaks have been integral to costal life in the Circumpolar North region for thousands of years. All kayaks share the same basic shape and were traditionally made from animal skins stretched over a wood or whalebone frame. Within the iconic kayak shape, however, there is great regional variation in design, including two-hull and even three-hull kayaks. These were used in Alaska to transport Russian priests and officers. The word kayak is an anglicized version of the proto-Eskimo word qyaq.
How technology is helping to preserve the Potawatomi language
Preserving Potawatomi
Although the Potawatomi language, Bodéwadmimwen, continues to flourish and spread to new segments of the Citizen Potawatomi Nation (CPN) population, the number of first language speakers continues to decrease.
The CPN Language Department uses many online platforms to teach students of all ages how to speak Bodéwadmimwen. Digital tools have helped department employees approach public schools surrounding Tribal land to offer a course approved for world language credit in Oklahoma. They continue to expand with introductory courses for middle schools as well as collegiate material.
Among them is Woolaroo, an experimental web-app where users can take a picture of common plants, animals, items and more to and see and hear the Potawatomi words for them played back to them. It features more than 900 Potawatomi words and phrases.
Bodéwadmimwen and Potawatomi culture
Potawatomi culture is rooted in language and oral traditions of storytelling and exchanging knowledge. Lessons, thoughts and ideas, ceremonies, agricultural practices and more were passed along by word of mouth, with no written language.
The words, phrases and verb conjugations all show and explain how the Potawatomi saw and continue to see the world with an emphasis on a connection to the earth, a high regard for mother nature and living beings, and a communal lifestyle.
The language also expresses the values that take precedent for making decisions, both large and small: honesty, wisdom, love, humility, truth, bravery and respect.
Many CPN tribal members feel language remains the thread that ties all Nishnabé culture together.
A window into the Potawatomi world
Much of Bodéwadmimwen reveals what Potawatomi people prioritize. The déwégen, or drum, comes from the words dé (heart), wé (a sound) and gen (a thing) – or “the sound of a heartbeat.” Used in the most sacred ceremonies and biggest social occasions that bring Potawatomi together, the Nishnabé describe the drum as “the heartbeat of the Nation.”
The Potawatomi people survived displacement several times in the mid to late-1800s. Originally from the Great Lakes region, the Potawatomi were forcibly removed from their homelands by the U.S. government to a reservation in present-day Kansas in the late 1830s.
Named the Trail of Death, the devastating passage resulted in more than 40 Potawatomi losing their lives, mostly women and children.
After two more treaties with the federal government in the 1860s, the Potawatomi then took allotments in Indian Territory, or present-day Oklahoma. The language and culture persisted despite generations of Potawatomi being taught by missionaries and attending Indian boarding schools far away from their families.
These forced removals and the era of Federal policy aimed at terminating Tribal Governments were a severe detriment to Potawatomi language and culture. The Nation has been adding resources to preserve the language and culture through online and in-person activities.
The Tribe hosts the annual Family Reunion Festival each June. The weekend’s events culminate with the powwow, when the Nation honors ancestors and traditions through dancing, regalia and competitions.
After the century-long diaspora experienced by the Potawatomi, the Nation’s members are spread out across the country. Many travel to Oklahoma each summer for the festival and powwow; however, CPN and its members have been using technology more to connect and learn – including to teach the language.
During competitive dances, Tribal members often participate to honor someone else and consider their movement and the music a deep connection with the Creator and earth.
The patterns, colors and shapes on regalia often represent that dancer’s family, clan or some other longstanding tradition passed from generation to generation. There might be certain animals or plants that hold special meaning, including many Eastern Woodlands floral designs as well as some foods or medicines.