Aesthetics of the different

Alignment mechanisms that are displayed from diverse materials and imaginaries. 
Work and celebration appear like overlapped ideas in this installation by Lucas Tibaldi.

In the contrast between the frailty and strength of the materials we see some alienating logic.

Through drawing and ceramic, Milena Polosecki creates a crammed fantasy that, however, has some documentary features.  

The spectacularity of consumption and the alarming way in which we live in this planet and distribute wealth seem to be the focal points of this innocent dramaturgy.

This object by Rodolfo Marqués gathers multiple references.

A frame made with the traditional plaster technique imitates the aesthetic of the early portable videogames of the 80’s,

while the painting inside represents a surreal-like landscape inhabited by machines from which food sprouts nonstop.

Abundance as a self-administered entity.

I an object halfway between drawing and sculpture, Daniel Leber gathers diverse symbols that build a supernatural being,

Intuition gives place to inalienable forces. Far from stereotypes traditionally related to the idea of feminine, Paloma Mejía releases this sacred quaternity of zoomorphic bronze hybrids.

Woman’s energy as a fruitful water spring.

The dark of the night hides mysteries and threats. Agustina Leal’s painting explores the city from the shadows.

The unknown, capable of waking up desires so inexplicable as uncontrollable.

In Hall with a staircase, Agustín Gonzalez Goytía bases on backdrops that were used in photo studios as backgrounds for portraits.

A phantasmagoric scene.

With an absolutely domestic technique, Sofía Rosa unfolds a complex symbolic universe, formally animated by a punk aesthetic in its apology of simple, noise and precariousness of media.

Like the monochrome of a classic frieze, Trinidad Metz Brea attempts a cosmogony of wealth and abundant pleasures by using biodegradable plastic as material, and 3D print as media.

An encounter between nature and IT, that challenges the traditional anthropocentric look.

Nebhundila lives in a fictional universe that challenges the idea of stability and identity.

In this painting by Aurora Castillo, body and landscape fuse and redefine in a permanent way.