Images from and to the archive

generates a universal repository from which new images are elaborated in an infinite cycle.
Some proposals rework canonic images. Such is the case of this painting that reversions an 18^th century print.

Francisco Ratti appropriates the scene, drawing it first on his mobile and later transferring it to acrylic on canvas.

From aristocratic poses and academic language to semi-naked characters that update through the digital gesture.

The arrival of the man to the moon is an iconic image that is printed in the retina of many generations. This event is revisited by the collective from Mar del Plata Pipisherman.

 If the NASA astronauts irradiated glamour and a promise of future, for this nylon astronaut the possibilities of getting to the outer space depend on a plug and the power of a vacuum cleaner.

Sol Quirincich bases on an archive of artworks of provincial artists.

She selects details of historical paintings that art history has left aside and embosses delicate copper plates.

An intimate heraldry that recovers the small and peripheral portraits.

Valeria López takes as a repository immediate and close artistic experiences.

Interventions, performances, and encounters are drawn as accurate as possible.

Each situation configures a unique constellation, a human cartography that delineates bonds, groups, and affections.

Based on photographs from her personal archive and some taken from real estate websites, Mara Caso makes a “Pictorial record of architecture in Buenos Aires beach towns”.

Habitats for resting, built between fantasy and desire, become a critical catalogue.

Myths, stories and legends orally transmitted are the initial archive from which Favio Darío Gutierrez configures these votive scenes.

Narrations from flood areas in the Buenos Aires conurbation have a pixelated aspect due to a patient painting technique.

Inherited chronicles, an intangible heritage that turns into image and binary code.

File in transit is a site-specific photographic project. Sofía Desuque bases on an image from which several signals unfold.

This image is amplified and taken to a road billboard.

With time, the initial image loses some of its parts.

The outdoors becomes poetic in motion.

For Daniela Mastandrea, photography is a mean to register the transit along diverse Patagonian landscapes. In this case, a central piece is missing from a fragment of cracked ground.

The missing rock in the photograph is shown next to it.

Presentation and representation, gestures to point at a territory in permanent reconfiguration.