Gallery of the Museum of Naive and Marginal Art - paintings

Deer City, Sava Sekulić (1902-1989), 1948. MNMA Collection of Painting includes the works of domestic and foreign authors from nineteen-thirties until today. The collection of paintings consists of the oeuvres of classics Sava Sekulić, Ilija Bosilj, Emerik Feješ, etc.

Stork, Milosav Jovanović (1935-2014), 1969. A stylised figural composition with elements of fiction. On the right-hand side, a figure of a bird is given in the left profile; a mushroom-like shape with a roof emerges from the bird’s body.

Hypocrisy (from the cycle Prison Days),  Barbarien (1963-2013), 2003. A stylised figural composition – an authentic form of portrait. Anthropomorphic-zoomorphic motif is done in raw coloured surfaces; the head includes zoomorphic motifs in the form of fish, the body is coloured.

I Am Explaining Some Things (Pablo Neruda), Srboljub Kojadinović (1942-2018), 2006. A stylised figural composition with elements of fiction, in diagonal corner. In the bottom right-hand angle, a few human figures (babies) are floating towards the middle of the picture.

Jabučilo and Momčilo, Sava Sekulić (1902-1989), 1974. A stylised figural presentation of a winged animal (a donkey or horse stallion), given in left profile and ochre body with white accentuation, by which a standing human figure is partly covered with a wing. 

Angels Are Watching Us, Milanka Dinić (1938-2017), 2009. The intertwining of floral and geometrical motif over the whole surface of the canvas with floating presentations of anthropomorphic images and fictions creatures. The central ornament is in the form of a butterfly. 

The Battle on Kosovo,  Janko Brašić (1906-1994), 1971. A multi-figural composition given in the exterior, in a green field. In the upper part of the painting, in a narrow band, the sky with small figures on the horizon is portrayed. 

Fair, Pal Homonai (1922-2010), 1969. A stylised multi-figural composition given in winter landscape; the figures of people and animals are distributed in the middle of white, semi round hill, while the village houses are spread in arch above and below it. 

Big Ben – the Houses of Parliament in London, Emerik Feješ (1904-1969), 1962. A stylised composition shows the Houses of Parliament by the water in London. On the left side is a high, square tower, while on the right is Big Ben. 

Cross,  Srboslav Ilić (1955), 2005. A multi-figural presentation follows four arms of the form of cross of wood background; multitude of stylised figural motifs, anthropomorphic and zoomorphic, given in the blue background. The author illustrates the themes of Old Testament. 

Wonders of Rio de Janeiro, Ermelinda De Almeida (1947), 2012. A stylised presentation in the exterior – panorama of the City of Rio de Janeiro. Recognisable motifs such as statue of Christ the Redeemer, a gondola that leads to Sugarloaf Mountain. 

Self-portrait, Igor Simonović (1972), 2012. A stylised human movement in the form of a bust with indicated eyes, mouth and hair, looking to the right, in brown, ochre and orange tones and additional processing by drawing on the canvas using a sharp object. 

Manasija, Milan Rašić (1931-2018), 1970. A stylised landscape with figures in vertical composition, given from bird’s-eye view. In the middle of the painting is a fortification – monastery surrounded by walls and rich vegetation; below are a few female figures of nuns. 

Calling Angels, Vojkan Morar (1966), 2009. Figural composition with elements of fiction; a pyramidal building made of multitude of sharp towers predominates over a stylised landscape; above, near the top of painting is a flock of elongated female winged figures. 

The Sun Cuts Golden Branches of Ash-tree, Životin Nikolić (1953), 1973. A stylised presentation of ornamental-decorative treatment. In the foreground along the vertical length of the painting is a branch with leaves and blossoms in orange and ochre tones. 

The Soldier of King’s Guard, Miodrag Pavlović – Dragomirac (1938-2020), 2015. A stylised figural presentation, the portrait of a soldier is done in integral tones of red, blue, green, black and white. A standing male figure given en face with black hair, eyes and moustache. 

Ship, Drago Jurak (1911-1994), 1981. A stylised presentation of city-ship on water in ornamental-decorative treatment. Along the length of the painting, towards the top horizontally stretches the form of fanciful architecture on two levels. 

Fire Keeper, Julia Sisi (1957), 2016. In the painting, a stylised female figure along the whole surface of composition is presented like a pivot of all depicted ornamental-decorative elements of floral and zoomorphic origin. 

A Girl with a White Scarf,  Đorđe Šijaković (1901-1977), 1970. A stylised female presentation in the form of a portrait; the standing female figure is given en face, in red dress and white scarf, fair haired and with bright eyes, radiant face, arms crossed at the front. 

Round Dance in the Moonlight, Dobrosav Milojević, 1976. A stylised figural presentation given in the exterior; at the bottom of the painting are three standing female figures and the smaller one given en face, holding hands; on the right is a standing female figure.

Miss Iliad, Ilija Bašičević - Bosilj (1895-1972), 1969. A stylised figural presentation – two larger anthropic-zoomorphic figures and a smaller one on the right, given en face in the abstract, golden background. The figure on the right has a heart-shaped head with a strange hair.

Migratory Birds, Zil Millano, 2014. A stylised composition done using contour line and colour pigment with application of newspaper cuttings; drawing is accentuated. The noticeable figure on the left-hand side is given in the left profile.

Talk between Sun and Moon, Rosen Rashev, 1994. A stylised figural composition done in white pigment in the ochre background, with the author’s inscriptions in interspaces. 

Conversation, Miodrag Pavlović, 1966. A stylised figural presentation in the exterior. In the lower part of the painting multitude of human figures in profile, with similar physiognomy and clothes, and raised upper limbs are standing in a green field, in kind of interaction.