The Olympics in Mexico! M68 Olympic Facilities

This photographic exhibition shows the sports facilities that were rehabilitated and built for the XIX Olympiad in Mexico

By Fundación ICA, A.C.

Fundación ICA, A.C.

Estadio Olímpico Universitario (1968) by Fundación ICAFundación ICA, A.C.

Introduction

On October 1963, Mexico City requested to be the host of the XIX Olympic Games of 1968 before the International Olympic Committee. With 30 of 58 votes cast, this athletic, political and cultural commitment was a significant milestone in Mexico’s modern history, becoming the first Olympic Games to be hosted in Latin America. The former Ministry of Public Works was in charge of the project, coordinating and building most of the facilities, as well as adapting the existing infrastructure for the occasion. Preliminary studies began in 1965, and an inventory was produced with possible venues that possessed the necessary technical, administrative, and athletic characteristics. Thus, more than half of the competitions took place in buildings adapted to Olympic regulations. Facilities were planned for their future use in areas close to large avenues, such as Insurgentes Avenue or the Periférico beltway, near the Mexican Olympic Sports Centre and Mexico City’s Olympic Village.

Estadio Olímpico Universitario (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

University Olympic Stadium

University City | Architects: Augusto Pérez Palacios, Jorge Bravo, Raúl Salinas | Activities: Inauguration and Closing Ceremonies, Track and Field, and Football

Colonia National Autonomous University of Mexico (1954) by Compañía Mexicana AerofotoOriginal Source: http://www.fundacion-ica.org.mx/colecciones_digitalizadas

University Olympic Stadium

The Ministry summoned engineers, architects, and contractors for a significant challenge: concluding on time for the inauguration, which took place on October 12th, 1968. With the slogan “Mexico 68”, the buildings constructed represented “a new contribution to architecture and construction techniques for the completion of Olympic ideals; the outreach and mutual understanding among the people of the world, which has been the ultimate aspiration of humanity for nearly three millennia.”

Estadio Olímpico Universitario UNAM (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

University Olympic Stadium

The athletic facilities and equipment for the XIX Olympics adhered to the regulations set by the International Olympic Committee and the sports federations of the 18 official and two exhibition sports.

Alberca Olímpica Ciudad Universitaria (1954) by Compañia Mexicana AerofotoFundación ICA, A.C.

University Olympic Pool

University City | Architects: Félix T. Nuncio, Ignacio López, Enrique Molinar 1955 | Activities: Water polo

Alberca Olímpica Ciudad Universitaria (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

University Olympic Pool

The Organizing Committee built and adapted this facility and its services for the participating athletes, guests, and the general public, intending to use them after the sporting event

Estadio AztecaFundación ICA, A.C.

Azteca Stadium

Santa Úrsula Coapa | Architects: Pedro Ramírez Vázquez, Rafael Mijares 1966-1968 | Activities: Football

Estadio Azteca CDMX (1966) by Compañia Mexicana AerofotoFundación ICA, A.C.

Azteca Stadium

Throughout Mexico City, the Mexican Olympic Sports Centre, the Olympic Velodrome, the Sports Palace, the Olympic Pool and Gymnasium, the University Olympic Stadium, the Olympic Village, the Aztec Stadium, and the Rowing and Canoeing Olympic Track, were the main venues, built almost entirely by Mexican architects, engineers and technicians.

Estadio Azteca, (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Azteca Stadium

The Olympics aimed at building and rehabilitating sports facilities that would become part of the activities and integrate to the growth and modernization efforts of the city.

Centro Deportivo Olímpico Mexicano (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Francisco Márquez Olympic Pool and Juan de la Barrera Olympic Gymnasium

General Anaya | Architects: Edmundo Gutiérrez, Antonio Recamier, Manuel Rosen, Javier Valverde | Activities: Swimming, diving, water polo, volleyball.

FranciscoMarquez (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Francisco Márquez Olympic Pool and Juan de la Barrera Olympic Gymnasium

Mexico 68 was a milestone in the history of modern Olympic Games with the use of new technologies in sporting competitions, which allowed a higher precision when recording each competitor’s times. Tactile panels were used for swimming, a device that reacted when touched by a swimmer’s hand, thus stopping the chronometer, leaving no margin of error from the judges.

Pista Olímpica de Remo y Canotaje Virgilo UribeFundación ICA, A.C.

Virgilio Uribe Rowing and Canoeing Olympic Track

Cuemanco | Architects: Raúl González, Alfonso Mújica | Activities: Canoeing, rowing

Pista Olímpica de Remo y Canotaje Virgilo Uribe, Col. Cuemanco (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Virgilio Uribe Rowing and Canoeing Olympic Track

5516 athletes, 781 women, and 4735 men, from 112 different countries participated in the Mexico 68 Olympic Games; they disputed among them 172 competitions programmed for these Olympics. In the telecommunications area, Mexico was equipped with new infrastructure, transmitting the first Olympic games in colour.

Pista Olímpica de Remo y Canotaje Virgilo Uribe (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Virgilio Uribe Rowing and Canoeing Olympic Track

The 1968 Olympic Games were the first to adopt an anti-doping policy, with random urine tests that were meant to reveal substances that could potentialize physical endurance, which have since then been prohibited.

Arena México (1956) by Compañia Mexicana AerofotoFundación ICA, A.C.

Mexico Arena

Doctores | Architects: Rodolfo Miralda Fondo | Activities: Box.

Arena Mexico (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Mexico Arena

Another pioneering resource employed in the Mexico 68 Olympics was the photographic chronometer; the image captured by the camera at the finish line allowed judges to observe who had crossed it first, recording up to a hundredth of a second between competitors. In terms of facilities, it was also the first time that a synthetic tartan track was used, produced with ash and soil.

Frontón México (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Mexico Fronton

Tabacalera | Architects: Joaquín Capilla and Teodoro Kinhard |Activities: Jai alai

Auditorio Nacional y Campo Marte (1952) by Compañía Mexicana AerofotoFundación ICA, A.C.

National Auditorium and Campo Marte military field

Polanco | Architects: Fernando Parra, Fernando Beltrán, Fernando Peña and Óscar De Buen Activities: Gymnastics and equestrianism.

Campo Marte y Auditorio Nacional (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

National Auditorium and Campo Marte military field

In contrast to the two previous Olympic events, Mexico established different areas of the now-extinct Federal District Department for the XIX Olympic Games. Venues were distributed in the northern and southern regions of the city; thus, there was a plan to extend and open roads, like the southeast extension of the Periferico beltway, the Tlalpan Overpass, and Pedregal Avenue. Insurgentes Sur Avenue was also extended.

Centro Deportivo Olímpico Mexicano CEDOM (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Mexican Olympic Sports Centre (CDOM)

Lomas de Sotelo | Architects: Julio Canales, Jesús de León, Manuel de la Mora, Raúl González, Juan Antonio Montaño, Alfonso Mújica, Jorge Ortiz Monasterio, Manuel Téllez | Activities: Offices, medical services, lodging, school and training.

Centro Deportivo Olímpico Mexicano CEDOM (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Mexican Olympic Sports Centre (CDOM)

The CDOM is a unit dependant on the Mexican Olympic Committee. It had the purpose of accommodating different Olympic high-performance athletes, allowing them to train intensively with optimum equipment and conditions for their athletic development.

Ciudad Satelite (1957) by Compañía Mexicana AerofotoFundación ICA, A.C.

Satellite City

State of Mexico | Architect: Mario Pani | Activity: Cycling

Granjas México (1968) by Compañía Mexicana AerofotoOriginal Source: http://www.fundacion-ica.org.mx/colecciones_digitalizadas

Magdalena Mixhuca Sports City

Granjas México | Architects: Félix Candela, Antonio Peyrí, Enrique Castañeda | Activities: Baseball, cycling, fencing, field hockey

PalacioDeportes (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Magdalena Mixhuca Sports City

The Velodrome was built on an area of 5.2 acres, within a building of low height and a length of 333.33 metres by 7 metres wide; the circuit’s curves have a 39º cant. It had a capacity of 6800 spectators and 860 parking spaces in 1968. The only element proposed by a foreigner was the design of the track with an African wood known as Doussie Afzeiba, a material with higher resistance to weather conditions, which made the Mexican velodrome an elite facility in its time.

Ciudad Deportiva Magdalena Mixhuca (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Magdalena Mixhuca Sports City

Many Olympic disciplines gathered along its 92 acres. Some of its facilities were built for the Mexico 68 Olympic Games, whereas others had begun its construction ten years before, after the Sports City project was not concluded and later moved to the Nochebuena neighbourhood.

Villa Olímpica Libertado Miguel Hidalgo by Compañia Mexicana AerofotoFundación ICA, A.C.

Libertador Miguel Hidalgo Olympic Village

Olympic Village | Architects: Héctor Velázquez, Manuel González Rul, Agustín Hernández, Carlos Ortega, Ramón Torres | Activities: Lodging, training, recreational centre, press centre.

Villa Olímpica Libertado Miguel Hidalgo (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Libertador Miguel Hidalgo Olympic Village

Mexico City’s Olympic Village is a residential complex built in 1968 to accommodate the Olympic athletes, officials from the International Federations and the foreign press, who all participated in the 1968 Olympic Games in Mexico.

Villa Olímpica Libertado Miguel Hidalgo (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Libertador Miguel Hidalgo Olympic Village

A sporting area was planned within the Olympic Village’s premises, allowing the athletes to train during their stay. Through the years, this place has become one of the most famous sports centres in the south of the city.

Villa Olímpica Niño Artillero Narciso Mendoza (1968) by Fundación ICAFundación ICA, A.C.

Niño Artillero Narciso Mendoza Olympic Village

Villa Coapa | Activities: Lodging and training

Villa Olímpica Niño Artillero Narciso Mendoza (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Niño Artillero Narciso Mendoza Olympic Village

Located to the south of Mexico City, in Coapa, Narciso Mendoza Olympic Village is the second Olympic complex. It was divided into 5 sections that would accommodate referees and judges, cultural centres, press, a military section, and general offices. After the Olympic games were over, the apartments were put on sale.

Tertulia Gigante (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Friendship Route

The cultural program, alongside budget efficiency, logistics and symbology (graphic identity) created a unique collective project: the Friendship Route, with 19 concrete sculptures designed by artists from all five continents and led by Mathias Goeritz. “A gathering of giants” Station #14 / Country: Netherlands Artist: Joop Beljon.

Osa Mayor (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Friendship Route

“Ursa Major” | Country: Mexico | Artist: Mathias Goeritz

Puerta de Paz (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Friendship Route

“Peace Door” Station #15 |Country: Israel | Artist: IsraelItzhak Danziger

Puertas al Viento Estación # 19. (1968) by Fundación ICAFundación ICA, A.C.

Friendship Route

“Doors to the Wind” Station #19 | Country: Mexico | Artist: Helen Escobedo

Estación # 18 (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Friendship Route

Station #18 | Country: Mexico | Artist: Jorge Dubón

Disco Solar. Estación # 8 (1968) by Compañia Mexicana AerofotoFundación ICA, A.C.

Friendship Route

“Red Sun” | Country: USA | Artist: Alexander Calder

Hombre de Paz. Estación # 7 (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Friendship Route

“Peace Man” Station #7 | Country: Italy | Artist: Costantino Nivola

Estación # 9 (1968) by Compañía Mexicana AerofotoFundación ICA, A.C.

Friendship Route

Station #9| Country: USA | Artist: Todd Wiliams

Mapa portada (1982) by Fundación ICAFundación ICA, A.C.

Olympic Facilities

On October 27th, 1968, the most important athletic competition to ever take place on Mexico soil came to an end. Mexico had received the Olympic torch from Tokyo in 1964 and delivered it to Munich for the 1972 Olympic Games.

Credits: Story

Acervo Histórico de Fundación ICA

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