This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.
Krishna and the Golden City of Dwarkafrom the Harivamsha (Geneology of Vishnu), Artist: Probably designed by Kesu Kalan, Artist: Painted by Miskin, ca. 1585, From the collection of: Smithsonian's National Museum of Asian Art
Jahangir Preferring a Sufi Shaikh to Kings from the St. Petersburg Album, Artist: Bichitr, Artist: Margins by Muhammad Sadiq, ca. 1615-1618, margins 1747-48, From the collection of: Smithsonian's National Museum of Asian Art
Folio from a Gulistan (Rosegarden) by Sa'di; verso: Sa'di's companion frightened by tribes from the hills; recto: text, Artist: Attributed to Morad, Calligrapher: Sultan 'Ali Mashhadi, Text dated 1468, illustration repainted ca. 1645, From the collection of: Smithsonian's National Museum of Asian Art
Scenes from the Childhood Krishna, from a Sur Sagar Manuscript, Attributed to Manohar, 1655 - 1660, From the collection of: The Toledo Museum of Art
Important Cultural Property Namban Screens, Attributed to Kano Sanraku, Momoyama period (early 17th century), From the collection of: Suntory Museum of Art
Important Art Object Flowering Plants in Autumn, Attributed to Ogata Korin, Edo period (18th century), From the collection of: Suntory Museum of Art
Birds and Flowers of Spring and Summer, Kano Eino, Edo period (latter half of 17th century), From the collection of: Suntory Museum of Art
The Mouse Story, Unknown, Muromachi to Momoyama period (16th century), From the collection of: Suntory Museum of Art
Allegorical representation of Emperor Jahangir and Shah Abbas of Persia from the St. Petersburg Album, Artist: Abu'l Hasan, Borders: Muhammad Sadiq, ca. 1618; margins 1747–48, From the collection of: Smithsonian's National Museum of Asian Art
Folio from the Ramayana of Valmiki (The Freer Ramayana), vol. 2, folio 236, recto: Hanuman returns the mountain with the four healing plants to the Himalayas, al'-'Abidin, 1597-1605, From the collection of: Smithsonian's National Museum of Asian Art
Maple Viewers, Kano Hideyori, 16th century, From the collection of: Tokyo National Museum
The Great Goddess Durga Slaying the Buffalo Demon (Mahishasuramardini), Artist/maker unknown, Indian, c. 1750, From the collection of: Philadelphia Museum of Art
Acarya Bhavaviveka Converts a Nonbeliever to Buddhism, Artist/maker unknown, Sino-Tibetan, 18th century, From the collection of: Philadelphia Museum of Art
Two Geishas and a Tipsy Client, Kitagawa Utamaro I, Japanese, 1753 - 1806, c. 1805, From the collection of: Philadelphia Museum of Art
An Elephant Combat, Artist/maker unknown, Indian, c. 1660, From the collection of: Philadelphia Museum of Art
Printed Textile: Brer Rabbit, Designed by William Morris, British, 1834 - 1896, Registered May 20, 1882, From the collection of: Philadelphia Museum of Art
Amitayus, the Bodhisattva of Limitless Life, Artist/maker unknown, Chinese, 1761; Qianlong Period (1736-1795), From the collection of: Philadelphia Museum of Art
Ceremonial Cover (Chamba Rumal), Artist/maker unknown, Indian, c. 1820, From the collection of: Philadelphia Museum of Art
Wall Hanging (Puthia) depicting the Feet of a Jain Monk, Artist/maker unknown, Indian, 1667 (Samvat 1724), From the collection of: Philadelphia Museum of Art
Pair of Bird-and-Flower Paintings, Artist/maker unknown, Korean, 19th century, From the collection of: Philadelphia Museum of Art
Qasam al-Abbas Arrives from Mecca and Crushes Tahmasp with a Mace, Mahesha, Indian, active c. 1570 - 1590, Manuscript dated c. 1562-1577, From the collection of: Philadelphia Museum of Art
The Japanese Footbridge and the Water Lily Pool, Giverny, Claude Monet, French, 1840 - 1926, 1899, From the collection of: Philadelphia Museum of Art
Mahakala, Protector of the Tent, Artist/maker unknown, Central Tibetan, Early 15th century, From the collection of: Philadelphia Museum of Art
Amida Buddha, Artist/maker unknown, Japanese, Late 13th century, From the collection of: Philadelphia Museum of Art
Krishna and Radha, Artist/maker unknown, Indian, c. 1750, From the collection of: Philadelphia Museum of Art
Avalokiteshvara, Artist/maker unknown, Cambodian or Thai, Khmer Empire, Early 8th century, From the collection of: Philadelphia Museum of Art
Virgin and Child Enthroned and Donor, Angels, Pietro Lorenzetti, Italian (active Siena, Assisi, Arezzo, and Florence), first documented 1306, last documented 1345, c. 1319, From the collection of: Philadelphia Museum of Art
Qasam al-Abbas Arrives from Mecca and Crushes Tahmasp with a Mace, Mahesha, Indian, active c. 1570 - 1590, Manuscript dated c. 1562-1577, From the collection of: Philadelphia Museum of Art
The Gods Sing and Dance for Shiva and Parvati, Attributed to Khushala, Indian, active late 18th century, c. 1780-1790, From the collection of: Philadelphia Museum of Art
Scene of Feasting from Sultan Murad III's "Siyer-I Nebi" or "Life of the Prophet", Lütfi Abdullah, c. 1594, From the collection of: The Museum of Fine Arts, Houston
Puppy Playing with a Pheasant Feather, Attributed to Yi Am, Korean, 1499 - 1566, 16th century, From the collection of: Philadelphia Museum of Art
Landscapes and Beauties: Feeling Like Reading the Next Volume, Utagawa Kuniyoshi, Edo period, 19th century, From the collection of: Tokyo National Museum
Standing Juni Shinsho (Twelve Heavenly Generals): Shishin (Snake General), Kamakura period, 13th century, From the collection of: Tokyo National Museum
Sixteen Arhats: Fifteenth Arhat, Ajita, Heian period, 11th century, From the collection of: Tokyo National Museum
England: Richmond Hill, on the Prince Regent's Birthday, Joseph Mallord William Turner, 1819, From the collection of: Tate Britain
Carlisle, Joseph Mallord William Turner, 1775–1851, British, ca. 1832, From the collection of: Yale Center for British Art
Corsica, Joseph Mallord William Turner, 1775–1851, British, between 1830 and 1835, From the collection of: Yale Center for British Art
Christ Church Gate, Canterbury, Joseph Mallord William Turner, 1775–1851, British, 1793 to 1794, From the collection of: Yale Center for British Art
Saint Augustine's Gate, Canterbury, Joseph Mallord William Turner, 1775–1851, British, ca. 1793, From the collection of: Yale Center for British Art
Saint Augustine's Gate, Canterbury, Joseph Mallord William Turner, 1775–1851, British, ca. 1793, From the collection of: Yale Center for British Art
North East View of Grantham Church, Lincolnshire, Joseph Mallord William Turner, 1775–1851, British, ca. 1797, From the collection of: Yale Center for British Art
Barnard Castle, Joseph Mallord William Turner, 1775–1851, British, ca. 1825, From the collection of: Yale Center for British Art
Newark - upon - Trent, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, From the collection of: Yale Center for British Art
St. Augustine's Gate, Canterbury, Joseph Mallord William Turner, 1775–1851, British, between 1792 and 1793, From the collection of: Yale Center for British Art
Lake Avernus: Aeneas and the Cumaean Sibyl, Joseph Mallord William Turner, 1775–1851, British, between 1814 and 1815, From the collection of: Yale Center for British Art
Windsor Castle: The Round Tower, Royal Court and Devil's Tower from the Black Rod, Paul Sandby, (c. 1767), From the collection of: National Gallery of Victoria
Tivoli with the Temple of the Sybil and the Cascades, Joseph Mallord William Turner, 1775–1851, British, between 1796 and 1797, From the collection of: Yale Center for British Art
Interior of St. John's Palace, Eltham, Joseph Mallord William Turner, 1775–1851, British, ca. 1793, From the collection of: Yale Center for British Art
Fluelen: Morning (looking towards the lake), Joseph Mallord William Turner, 1775–1851, British, 1845, From the collection of: Yale Center for British Art
The banks of the Viosne at Osny in grey weather, winter, Camille Pissarro, 1883, From the collection of: National Gallery of Victoria
Teignmouth, Devonshire, Joseph Mallord William Turner, 1775–1851, British, ca. 1813, From the collection of: Yale Center for British Art
Evening Landscape with Castle and Bridge in Yorkshire, Joseph Mallord William Turner, 1775–1851, British, between 1798 and 1799, From the collection of: Yale Center for British Art
Rome from Monte Mario, Joseph Mallord William Turner, 1775–1851, British, ca. 1818, From the collection of: Yale Center for British Art
Yarmouth Sands, Joseph Mallord William Turner, 1775–1851, British, ca. 1840, From the collection of: Yale Center for British Art
The Sisters Zénaïde and Charlotte Bonaparte, 1821, From the collection of: The J. Paul Getty Museum
Portrait of the Comte de Turenne, Jacques-Louis David, 1816, From the collection of: Ny Carlsberg Glyptotek
La demoiselle de magasin, James Tissot, 1878/1885, From the collection of: Art Gallery of Ontario
The Circle of the Rue Royale, James Tissot, 1868, From the collection of: Musée d’Orsay, Paris
Justice of Emperor Otto III: Beheading of the Innocent Count and Ordeal by Fire, Dirk Bouts, circa 1473-1475, From the collection of: Royal Museums of Fine Arts of Belgium
Portrait de la comédienne Marie-Anne de Châteauneuf, dite Mlle Duclos (1664-1747), dans le rôle d'Ariane, Nicolas de Largillierre, Vers 1712, From the collection of: Château de Chantilly
L’Amante inquiète, Jean-Antoine Watteau, 1717-1720, From the collection of: Château de Chantilly
Autoportrait à vingt-quatre ans, Jean-Auguste-Dominique Ingres, 1804, From the collection of: Château de Chantilly
Très Riches Heures du duc de Berry : mois de mai, Frères Limbourg, 1412/1489, From the collection of: Château de Chantilly
Reliure en vermeil ciselé pour le Bréviaire de Jeanne d'Evreux, Froment-Meurice, Paul-Emile, 1895, From the collection of: Château de Chantilly
Coronation of the Virgin and Angels, Ventura del Moro, 1425/1450, From the collection of: Musei Capitolini
Bambocciata (Childishness), Michelangelo Cerquozzi, First Half of the XVII Century, From the collection of: Musei Capitolini
Good Luck, Caravaggio (Michelangelo Merisi), 1594/1595, From the collection of: Musei Capitolini
The Ascension, Barnaba da Modena, 1372/1374, From the collection of: Musei Capitolini
Saint Lucy, Garofalo, 1535/1540, From the collection of: Musei Capitolini
The flight to Egypt, Maestro di Campli, Second Half of the XIV Century, From the collection of: Musei Capitolini
Portrait of a Young Man, Ludovico Carracci, 1583/1585, From the collection of: Musei Capitolini
Old peasant, Michael Sweerts, 1650, From the collection of: Musei Capitolini
Portrait of a virile man, Girolamo da Carpi, 1545/1549, From the collection of: Musei Capitolini
Southeast View of "Sedgeley Park," the Country Seat of James Cowles Fisher, Esq., Thomas Birch, ca. 1819, From the collection of: Smithsonian American Art Museum
The Crucifixion with Six Passion Stories, Master of Jaques de Besançon, 1490, From the collection of: National Gallery Prague
Portrait of a Young Man (L'allegrezza), Vittore Ghislandi called Fra Galgario, 1710 - 1720, From the collection of: Museo Poldi Pezzoli
The Dogano, San Giorgio, Citella, from the Steps of the Europa, Joseph Mallord William Turner, 1842, From the collection of: Tate Britain
Newark Abbey, Joseph Mallord William Turner, 1775–1851, British, ca. 1807, From the collection of: Yale Center for British Art
Coast Scene with White Cliffs and Boats on Shore, Joseph Mallord William Turner, 1775–1851, British, undated, From the collection of: Yale Center for British Art
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam, Joseph Mallord William Turner, 1775–1851, British, 1793, From the collection of: Yale Center for British Art
North East View of Grantham Church, Lincolnshire, Joseph Mallord William Turner, 1775–1851, British, ca. 1797, From the collection of: Yale Center for British Art
Steeton Manor House, Near Farnley, Joseph Mallord William Turner, 1775–1851, British, between 1815 and 1818, From the collection of: Yale Center for British Art
Steeton Manor House, Near Farnley, Joseph Mallord William Turner, 1775–1851, British, between 1815 and 1818, From the collection of: Yale Center for British Art
View of Hampton Court, Herefordshire, from the Southeast, Joseph Mallord William Turner, 1775–1851, British, ca. 1806, From the collection of: Yale Center for British Art
Saint Catherine's Hill, Guildford, Surrey, Joseph Mallord William Turner, 1775–1851, British, 1830, From the collection of: Yale Center for British Art
Tell's Chapel, Lake Lucerne, Joseph Mallord William Turner, 1775–1851, British, 1841, From the collection of: Yale Center for British Art
Tours: Sunset: Looking Backwards, Joseph Mallord William Turner, 1775–1851, British, between 1826 and 1830, From the collection of: Yale Center for British Art
Venice, The Mouth of the Grand Canal, Joseph Mallord William Turner, 1775–1851, British, ca. 1840, From the collection of: Yale Center for British Art
In the Valley Near Vietri, Joseph Mallord William Turner, 1775–1851, British, ca. 1794, From the collection of: Yale Center for British Art
Ingleborough from Chapel-Le-Dale, Joseph Mallord William Turner, 1775–1851, British, between 1810 and 1815, From the collection of: Yale Center for British Art
Rhodes, Joseph Mallord William Turner, 1775–1851, British, between 1823 and 1824, From the collection of: Yale Center for British Art
Dent de Lion, Margate, Joseph Mallord William Turner, 1775–1851, British, ca. 1791, From the collection of: Yale Center for British Art
Les Trois Grâces, Raphaël, 1503/1508, From the collection of: Château de Chantilly
Elisabeth d'Autriche (1554-1592) reine de France, François Clouet, vers 1571, From the collection of: Château de Chantilly
Album de voyage au Maroc, Eugène Delacroix, 1832, From the collection of: Château de Chantilly
Heures d'Etienne Chevalier, n° 204 : L'Annonciation, Jean Fouquet, Circa 1450, From the collection of: Château de Chantilly
Heures d'Etienne Chevalier, n° 201 et N° 202 : Etienne Chevalier présenté par saint Etienne à la Vierge et à l’Enfant, Jean Fouquet, Vers 1450, From the collection of: Château de Chantilly
Diane the Huntress, Cavalier d'Arpino, 1601/1603, From the collection of: Musei Capitolini
Penitent Magdalene, Guido Reni, 1635/1640, From the collection of: Musei Capitolini
Portrait of girl with a crown, Guido Reni, 1640/1642, From the collection of: Musei Capitolini
View of the Colosseum, 1544, From the collection of: Musei Capitolini
Saint Sebastian, Guido Reni, 1615, From the collection of: Musei Capitolini
Double portrait of musicians, Bartolomeo Passerotti, 1577/1579, From the collection of: Musei Capitolini
Mosaic of the theatrical masks, 100/200, From the collection of: Musei Capitolini
The infant Jesus and St. John, Guido Reni, 1640/1642, From the collection of: Musei Capitolini
Wi-jún-jon, Pigeon's Egg Head (The Light) Going To and Returning From Washington, George Catlin, 1837-1839, From the collection of: Smithsonian American Art Museum
West Indian Creole woman, with her Black Servant, Agostino Brunias, 1728–1796, Italian, active in Britain (1758–70; 1777-80s), ca. 1780, From the collection of: Yale Center for British Art
London from Greenwich Park exhibited, Joseph Mallord William Turner, 1809, From the collection of: Tate Britain
Caligula's Palace and Bridge, Joseph Mallord William Turner, 1833, From the collection of: Tate Britain
View of Ely Cathedral, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, From the collection of: Yale Center for British Art
A View of Boppart, with Figures on the River Bank, Joseph Mallord William Turner, 1775–1851, British, 1817, From the collection of: Yale Center for British Art
St. Michael Castle, Bonneville, Savoy, Joseph Mallord William Turner, 1775–1851, British, 1802 to 1803, From the collection of: Yale Center for British Art
Windsor, Joseph Mallord William Turner, 1775–1851, British, ca. 1798, From the collection of: Yale Center for British Art
Harlech Castle, from Tygwyn Ferry, Summer's Evening Twilight, Joseph Mallord William Turner, 1775–1851, British, 1799, From the collection of: Yale Center for British Art
Windsor, Joseph Mallord William Turner, 1775–1851, British, ca. 1798, From the collection of: Yale Center for British Art
Andernach, Joseph Mallord William Turner, 1775–1851, British, 1817, From the collection of: Yale Center for British Art
Lulworth Castle, Dorset, Joseph Mallord William Turner, 1775–1851, British, ca. 1820, From the collection of: Yale Center for British Art
Tours: Sunset: Looking Backwards, Joseph Mallord William Turner, 1775–1851, British, between 1826 and 1830, From the collection of: Yale Center for British Art
Santa Lucia, A Convent near Caserta, Joseph Mallord William Turner, 1775–1851, British, ca. 1795, From the collection of: Yale Center for British Art
Dartmoor: The Source of the Tamar and the Torridge, Joseph Mallord William Turner, 1775–1851, British, ca. 1813, From the collection of: Yale Center for British Art
High Street, Edinburgh, Joseph Mallord William Turner, 1775–1851, British, ca. 1818, From the collection of: Yale Center for British Art
Landscape with a clump of trees, Théodore Rousseau, (c. 1844), From the collection of: National Gallery of Victoria
Boulevard Montmartre, morning, cloudy weather, Camille Pissarro, 1897, From the collection of: National Gallery of Victoria
View of Hampton Court, Herefordshire, from the Northwest, Joseph Mallord William Turner, 1775–1851, British, ca. 1806, From the collection of: Yale Center for British Art
Landscape with Trees and Figures, Joseph Mallord William Turner, 1775–1851, British, ca. 1796, From the collection of: Yale Center for British Art
Margate, Joseph Mallord William Turner, 1775–1851, British, ca. 1822, From the collection of: Yale Center for British Art
Modern Rome-Campo Vaccino, Joseph Mallord William Turner, 1839, From the collection of: The J. Paul Getty Museum
This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.