Collection of Dragoslav Živković from the Homeland Museum of Knjaževac

The picture shows Babin zub - one of the most famous peaks on the Stara planina Mountain, a rock of a specific shape similar to a tooth. The composition is centrally placed, and the dominant vertical is created by the cloud that covers the rock, below which is a lonely house surrounded by beech forest.

The foreground is dominated by violet "kaćuni" - saffron flowers that form a path that leads to the house and the forest. Among the flowers is an earthen pitcher in the lower right corner. The painting symbolizes the awakening of nature, the inevitable passage of time and the change of seasons. It suggests the former presence of man, people who are no longer living, or who are leaving the villages below the Stara Planina.

The picture shows an imaginary representation of a four-member founder’s family of the medieval church of the Blessed Virgin in Donja Kamenica, a village near Knjaževac. In the foreground, opposite the dark background and shown under the canopy of a large tree, there are figures of a man and a woman, unknown lords - founders, in front of whom are girls and boys holding "toys": a girl with a bearded clown and a boy the model of a church.

Parents, dressed in simple white long dresses, have modest aristocratic insignia, cloaks surrounded by cruciform ornaments made of pearls, precious and semi-precious stones. The lord holds his hand above the girl's head as if he wants to bless her, visibly emphasizing his lord's seal ring with that gesture. The landlady wears simple jewellery, a necklace, earrings and a tiara on her forehead. A girl like her mother wears simple jewellery, earrings and a tiara, while a boy has a simple hat, tunic and a  brightly colored cloak.

“Toys” in their hands can be understood as attributes of their future life. The clown as a figure of a predestined husband in a future, politically conditioned and pre-arranged marriage, and the church as an announcement of a possible monastic life of a young lord or successor of the line of founders of Donja Kamenica church, whose lord’s title is confirmed by God.

On the black surface, centrally placed, there is a group of human figures dressed in modest work clothes from the beginning of the 20th century. The picture shows seven partially masked adults shown in a standing posture, while at the bottom there is a figure shown in a stroller. Some of the men are disguised as women, and some are in boys' suits.

 The group symbolizes a part of the procession that goes, on the occasion of the pre-Christian, pagan carnival, with song, food and drink, laughter and jokes, entertains the people during the farewell holiday before fasting, while ritual actions and fires should protect people from evil forces. Masked characters are surrounded by various objects. Colorful umbrellas, pumpkins, food, fruit, drinks, painting accessories, etc. are shown. The colors are extremely bright. Dominated by yellow and ochre, red and blue.

The central place of this figural composition is occupied by the representation of the god Dionysus surrounded by naked female figures Meanada, the representation of Silenus depicted in an imaginary landscape. In the center of the vertically placed composition, there is a naked figure of Dionysus, who stepped towards the observer with his right foot, and holds a bunch in his left hand. To the right of Dionysus are three naked female figures with long flowing hair, whose eyes are fixed on the observer.

Next to them on the ground are a snake, a rose bush and a vine with grapes. To the left of Dionysus are the figure of Silenus with a glass in his hand, and the face of the artist, the image of the artist is visible from the darkness in the background. Below them, three boys are shown as counterparts to female figures. In this picture, the duality of the deity himself, his dual nature, is clearly emphasized, and the left and right sides are opposed, as the sides of good and evil, the male and female principle.