ARTE EN EL SIGLO XX. Arte de vanguardia.

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This user gallery has been created by an independent third party and may not represent the views of the institutions whose collections include the featured works or of Google Arts & Culture.

Gallic Cock, Raymond Duchamp-Villon, 1916, From the collection of: The Phillips Collection
Dadaísmo. Su objetivo final era la destrucción del arte, no para proponer un nuevo código artísticio sino para construir una categoría única: el antiarte.
The boxer, Eduardo Arroyo, 1994, From the collection of: The Olympic Museum
YMCA Flag, Kurt Schwitters, 1947, From the collection of: Lakeland Arts - Abbot Hall Art Gallery and Museum
Flight, Kurt Schwitters, 1945, From the collection of: Lakeland Arts - Abbot Hall Art Gallery and Museum
Mier Bitte, Kurt Schwitters, 1947, From the collection of: Lakeland Arts - Abbot Hall Art Gallery and Museum
Card players, Theo van Doesburg, 1916/1917, From the collection of: Kunstmuseum
Neoplasticismo. El procedimiento utilizado consistía, en términos generales, en estudiar las posibilidades combinatorias de la línea recta y los colores puros.
Girl with Ranunculus, Theo van Doesburg, 1914, From the collection of: Centraal Museum
Broadway Boogie Woogie 1943, Piet Mondrian 1872-1944, Douglas Coupland, 2011, From the collection of: Vancouver Art Gallery
Composition T, 50-5, Hans Hartung, 1950, From the collection of: Galleria Civica di Arte Moderna e Contemporanea Torino
La pintura de acción, el informalismo y los nuevos procedimientos de abstracción. Estados Unidos se convierte en el centro más importante del nuevo arte de vanguardia, Nueva York.
The Impact, Emilio Vedova, 1949, From the collection of: MAGA - Museo Arte Gallarate
Absurd Berlin Diary n. 14, Emilio Vedova, [1964], From the collection of: Galleria Civica di Arte Moderna e Contemporanea Torino
Europa 1951, Emilio Vedova, 1951 - 1951, From the collection of: Ca' Pesaro - Galleria Internazionale d'Arte Moderna
Still life with Palm Tree, Fernando Zóbel, 1974, From the collection of: Fundación Banco Santander
The Fountain VI, Fernando Zóbel, 1969, From the collection of: Fundación Banco Santander
Flight in Pink, Fernando Zóbel, 1966, From the collection of: Fundación Banco Santander
Hommage a Antoni Tapies, Farid Belkahia, From the collection of: Barjeel Art Foundation
Mediodía (High Noon), Baruj Salinas, Unknown, From the collection of: Inter-American Development Bank
White, Alberto Burri, 1952, From the collection of: Galleria Civica di Arte Moderna e Contemporanea Torino
Inestabilidad. Proposición arquitectural, Julio LE PARC, 1963 - 1964, From the collection of: Museo Nacional de Bellas Artes de Argentina
Estructura cinética en acero, Julio LE PARC, 1964, From the collection of: Museo Nacional de Bellas Artes de Argentina
Pèpinièriste, Jean Dubuffet, 1944, From the collection of: Philbrook Museum of Art
Two figures, Karel Appel, 1961 - 1961, From the collection of: Fondazione per l'Arte Moderna e Contemporanea CRT
Pin Up 1963 – for Francis Bacon, Sam Walsh, 1963, From the collection of: Walker Art Gallery, Liverpool
All night long, Michael Andrews, 1963-1964, From the collection of: National Gallery of Victoria
Untitled, Robert Rauschenberg, 2000, From the collection of: Inter-American Development Bank
Brillo, Andy Warhol, published by Galerie Ronny van de Velde, Antwerp 1988, 1988, From the collection of: Olomouc Museum of Art
Pop Art. Representa el lenguaje de la sociedad de consumo. Arte propio de la sociedad urbana, su lenguaje se nutre de la publicidad y se aleja de la naturaleza.
Red Barn, Roy Lichtenstein, 1969, From the collection of: Huntington Museum of Art
Alka Seltzer, Roy Lichtenstein (American, 1923-1997), 1966, From the collection of: The Art Institute of Chicago
Bicentennial Print, Roy Lichtenstein, 1975, From the collection of: Inter-American Development Bank
The Nelson-Atkins Museum of Art as a Net, with Shuttlecocks, Claes Oldenburg and Coosje van Bruggen, 1992, From the collection of: The Nelson-Atkins Museum of Art
Furniture in a room, Giorgio de Chirico, 1927/1927, From the collection of: Museo Carlo Bilotti
Futurismo con Chirico. Sus obras transmiten clama, soldad y nos sitúan fuera de cualquier tiempo real.
Knight with two classic figures standing on the shore of the sea, Giorgio de Chirico, 1929/1929, From the collection of: Museo Carlo Bilotti
Venice historical regatta, Giorgio de Chirico, 1950s, From the collection of: Museo Carlo Bilotti
La matinée angoissante, Giorgio de Chirico, 1912, From the collection of: Mart, Museum of modern and contemporary art of Trento and Rovereto
Personagge, Joan Miró, 1973, From the collection of: Fundación Banco Santander
Surrealismo. Determinada principalmente por el inconsciente. En esta corriente jugó un papel importante.
Plaque, Miró, Joan, 1956/1956, From the collection of: Museu do Caramulo
The Voice of My Beloved Behold from Song of Songs of Solomon, Salvador Dali, 1971, From the collection of: SCAD Museum of Art
TRIUMPH OF HOMER, 1919 - 1980, From the collection of: Museum of Arts and Sciences
La Abstracción. Este arte prescinde de todos los elementos figurativos. Sus representaciones se basan en formas llenas de color que nada tienen que ver con la realidad. No hay figuras humanas.
Colors from a Distance, Paul Klee, 1932, From the collection of: The Israel Museum, Jerusalem
Antinous, Pablo Gargallo, 1932, From the collection of: Lehmbruck Museum
Le Corbusier, Le Corbusier (Charles Edouard Jeanneret-Gris), 1959, From the collection of: Cooper Hewitt, Smithsonian Design Museum
Taliesin Line of Decorative Wallpapers, Frank Lloyd Wright, 1956, From the collection of: Cooper Hewitt, Smithsonian Design Museum
Design 105, Frank Lloyd Wright, 1957, From the collection of: Cooper Hewitt, Smithsonian Design Museum
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